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WATCH VIDEO: NYC Gay Pride Parade revelers weigh in on a Trinidadian judge’s ruling that colonial-era laws banning gay sex are unconstitutional

The streets of lower Manhattan were turned into a beautiful mosaic of Caribbean flags, dazzling costumes and rainbow flags at NYC's pride parade this year.

While the Caribbean is famous for its diverse population and laid-back vibe, the region isn't that accepting of the gay (LGBT) community due to the strong influence of religion and culture. The prevailing attitude is that LGBT relationships should remain out of sight, if not banned completely. But revelers at this year’s pride parade affirmed their sexuality and their Caribbean heritage as they wined to hype soca beats in full carnival costume or waved their country’s flag.

Hundreds of marchers came together under the banner of the Caribbean Equality Project, an NYC non-profit founded by Mohamed Amin to provide support, advocacy and asylum assistance for the LGBT community in the Caribbean diaspora. After Mr. Amin and his siblings were victims of a hate crime in 2013 in Queens, he realized LGBT people of Caribbean descent often persecuted by their communities or rejected by their families because of their sexuality, needed a safe space to be—so he created one.

Mohamed Amin from Caribbean Equality Project

Mohamed Amin, a human rights activist and founder of the Caribbean Equality Project.


And because homophobia continues to be an issue in the Caribbean, the organization’s asylum work has become even more vital. “The need is there for queer Caribbeans who don’t have anywhere else to go in New York and who also don’t know how to access the different agencies in New York City that will be a support to them,” said Mr. Amin.

But the recent historic ruling in Trinidad and Tobago to decriminalize homosexuality may eventually allow for greater acceptance of LGBT people in the Caribbean community. A high court judge ruled on April 12, 2018, that the Caribbean nation’s colonial-era law banning gay sex is unconstitutional, a development that parade goers welcomed.

“I think what it does, it sets a precedent for all the other Caribbean countries you know like this is sort of like a step forward to say, ok here’s one country and if we’re all united under Caricom whether legally…or culturally under our history or whatever, we will move forward. So it really provides a sense of hope that we’re pushing the boundaries and just accepting people you know what I’m saying, so I’m living for it. I’m so happy,” said Kadeem Robinson who’s originally from Jamaica.

 

Caribbean reveler Kadeem Robinson from Jamaica at 2018 Gay Pride parade

The final ruling on whether to remove the colonial-era laws from the books or simply change them is scheduled to happen later in July. But in the meantime, people like Monica Persaud, showed up at the parade with her grandchildren (one just 3 years old) to support her son, Marcus Persaud who works with Caribbean Equality Project.

Ms. Persaud is well aware of the prohibitions against homosexuality in scriptures and the pressure to reject her child’s sexuality but had this message to share “You never know what that child could become so you need to show them love and focus on God who created them and you need to get that started from young—just show love,” she said.

NOTE: On August 10, 2016, a judge in Belize ruled that a law criminalizing same-sex intimacy is unconstitutional.

 

Kizzy Cox, a reporter, and co-host of What's The 411 loves to travel. When she's not tracking down news stories, you can find her far away from home learning about new cultures.

 

Middle School Students Learn to Write Books They Can Sell

Mentoring in Medicine creates an online platform that shows middle school students how to write, publish, and sell their books during summer vacation

What did you do for summer vacation?

Well, for eons, that has been the first question students get asked when they return to school in the fall. And, thanks to Mentoring in Medicine, a nonprofit organization that provides young people in urban areas with exposure to medical careers, this summer many middle and high school students (and even their parents) will learn how to write and sell their own books without leaving home.

In the WRITE YOUR BOOK ONLINE SUMMER CAMP, Mentoring in Medicine will show students various techniques to create books in a variety of styles, whether it’s an interview-based, Top Tips, visual, interactive, and more, and the book can be fiction or, nonfiction.

According to Andrew Morrison, Mentoring in Medicine’s chief operating officer, the program will attract students from around the world who are interested in pursuing health-related or science careers in the future. Even some parents plan to participate along with their children.

Think about the competitive edge you or your child will have as a published author when applying to college or your next job or, for speaking engagements.

For more information about the Write Your Book Online Summer Camp, check out the Mentor in Medicine website

The First Purge Should be the Last. [MOVIE REVIEW]

It’s sometime in the future. The First Purge, the fourth in the series, shows how the idea began of having 12 hours in which it is legal to commit all crimes, including murder. A new right-wing party called the New Founding Fathers (NFF) initiates the concept supposedly to allow people to release frustrations building up from everyday life. Staten Island is chosen as the test site for the first purge. Ultimately, NFF’s true motive comes to light.

The First Purge is sickening. And, similar to Book Club, The First Purge is Dead on Arrival. The problems are many. First, it assumes that viewers don’t know much about Staten Island, including that its population is almost 80% percent white, mainly Irish and Italian Catholics. This film focuses on a low-income housing development and the surrounding communities which are black, who comprise about 10% of the Island’s population. There are more Hispanics in Staten Island than there are blacks. If this community did exist it would include whites and Hispanics.

Next, white screenwriter, James DeMonaco, who’s from Brooklyn, obviously did little research, as he creates scenes and dialogue based upon how he believes black people act. The film opens with a conversation between a blue-eyed, intellectual, medical male staff person and a dark-skinned, scared face, inarticulate black man with badly stained teeth.

It’s loaded with stereotypes. There’s a lot of the N-word, black street gangs (which is NOT a huge issue in Staten Island), heavy drug dealing, and hoochie mamas. And during the purge, again when all crimes are legal, rather than finding safe havens, they show black people dancing in the streets and partying. Since sex is the only thing black people ever think about, the film features a couple in plain sight, getting busy on the top of a car.

Further, in DeMonaco’s black world, even the most decent, peace-loving African American woman, is familiar with and knows how to use a gun!

Even though the film ultimately shows this community is the victim of malevolent forces, the way it is displayed, it justifies the disdain and fear of low-income urban residents that some people harbor.

The First Purge gets a “C” for cast diversity. It’s a largely African American troupe. Marisa Tomei is one of the few white actors in the film. She plays the sociologist who originally comes up with the purge idea. The film’s grade reflects its misrepresentation of the demographics of story’s location.

There are two characteristics of bad films. Both occurred at the screening of The First Purge: viewers laugh at serious dialogue not all intended to be funny. And people leave before it’s over.

The First Purge is rated “R” for strong disturbing violence throughout, pervasive language, some sexuality and drug use. And is 99 minutes in length.

This 4th of July week, purge your mind of any notions of seeing The First Purge.

How digital music streaming has helped and hurt new album releases

Digital Album Streaming: a beautiful boost or plummeting pitfall? Well it depends on how you use it

The first half of 2018 has seen album releases from the likes of J. Cole, Nipsey Hussle, Tory Lanez, Nas, Kanye West, Beyoncé, and Jay-Z; all with various rollout plans to the lack thereof. Nicki Minaj announced her album, Queen, in May for a June release. Beyoncé and Jay-Z released Everything is Love seemingly out of nowhere, and then there were albums that dropped under an executive producer who didn't seem to give much notification to the artists themselves, cough. (I'm talking about... yes, you guessed it! Kanye West.)

Digital streaming of music has given both the artist and consumer a one-stop shop. Artists no longer need to advertise on billboards, bus signs or conjure up elaborate marketing plans. Music executives no longer have to announce albums and songs months in advanced and retail stores are not stocked to capacity with copies of physical CDs needed to match shopper consumption. Depending on the caliber of artist that you are, you don't even need to bait your audience into wanting your album with pre-released singles. All you have to do is make sure it's available on all streaming platforms on the day that you say it will be. Or, you don't even need to say a day.

I'm guilty of crediting Queen Bey for bringing the art of the hasty release into the genre of R&B and Hip Hop. Many people, like me, forget that it was actually her husband, Sean Carter, who started the trend. Released on July 4, 2013, Magna Carta Holy Grail took to listeners ears after only being announced two weeks prior in a subtle commercial for Samsung that premiered during the NBA Finals.

VIDEO featuring Jay-Z promoting Magna Carta Holy Grail

"All these other things have been introduced to the world -- the internet and all this technology, and all these things. How do we operate within all that? We don't have any rules; everyone's trying to figure it out... that's why the internet's like the wild, Wild West. We need to write the new rules for what's going on right now... The one thing I wanted to do was have that fireplace or radio moment... I wanted everyone to hear the album at one time."

Unfortunately, Samsung lost out on the ordeal when the app they paid for to stream Jay's album crashed and the project was almost instantaneously available on other digital streaming platforms. Nonetheless, the attempt was seen.

What we'd call an L, Beyoncé followed suit with and turned into a W, a surprise release of her self-titled visual album that took the world by complete force. Beyoncé was exclusively available on iTunes for its first week, was accompanied by visuals for each track, earning Yonce' over 80,000 copies sold in the first three hours and ultimately a number one album debut. (Queen Bey also saw similar success with her release of Lemonade, accompanied by a full-length film where Hov's, iced tea, 4:44, debuted at number one with various short films to accompany each track. The most successful of which, "The Story of O.J.", reached over 70 million views.

But the ability of Beyonce and Jay-Z to make us look is due largely to the equity and caliber of artistry they've come to be known for, not just in the exclusivity of their work alone. As listeners and consumers, we have a solid expectation of the quality of work they'll deliver and therefore have no problem rushing to whatever medium they decide to release from.

However, many artists are not so privileged. Even prior to Beyonce's self-titled visual album release, Kanye West tested the waters with My Beautiful Dark Twisted Fantasy's 34-minute film, Runaway, amassing over 22 million views to this date, and decided to take that same triumphant energy and innovation into his February 14, 2016, release of The Life of Pablo. The result was not so great. The rollout of the album was plagued by constant title changes, routine Kanye twitter rants, and revised track lists. The only thing that seemed to be happening right was that West had a Yeezy Season 3 fashion show planned at Madison Square Garden where he would premiere the project for all those in attendance, right? Wrong. The album premiered three days later on Tidal, with alterations unheard of by the crowd in attendance at Madison Square Garden. Even months after the release, the album was still undergoing changes with its finalized version coming on April 1, 2016.

And now here we are. The Carters’ surprise release, Everything is Love, and Kanye West announcing and embarking on his executive delivery of five albums in five weeks. The results have been everywhere from successful to... not so much. Pusha T's Daytona soared in the midst of rap beef between himself and Drake. Ye was welcomed by a lukewarm reception, but still managing to debut at number one, while Kids See Ghosts featuring Ye and Kid Cudi was quietly released and debuted at number two while NASIR featuring Nas peaked at number five.

However, the rockiest rollout yet was Teyana Taylor's K.T.S.E. The singer took to Big Boy's Neighborhood on Power 106 to explain that the album will be re-released due to label miscommunication and samples not being cleared in time. Acknowledging that songs on the album were literally cut short, as well as the label's mistake in setting a release date and listening experience all before the album samples were even cleared.

VIDEO: Teyana Taylor on Big Boy’s Neighborhood

Teyana has taken the public misstep like a champ, acknowledging the helpful critiques she's received from those who have listened thus far. A similar attitude is now generally required of artists in the digital age of album streaming, its boundless limits should remind artists to propel themselves into a new realm of creativity and innovation. Ultimately instilling in them the ability to embrace the body of work that they have while remembering, it’s not fully what you do but how you do it.

 

- Jadriena "Jade" Solomon

@24Jaded

Here's something for Hip-Hop to ponder

"Hip Hop's Year of Dangerous Living Put the Accused on the Charts", was the title that graced the critic's notebook section of The New York Times' website on January 5, 2018. The article kicked off the year by acknowledging the previous one that awarded rap musicians with high accolades despite their less than decent deeds; calling all professionals of the music industry to make better decisions in their free time and vying for fans to become more morally conscious of the artists they support.

And maybe rightfully so, Hip-Hop's 2017 brought immense success to the troublesome likes of rappers Kodak Black, 6ix9ine, YoungBoy Never Broke Again, and the late XXXTentacion, rewarding all with either lucrative record deals or singles that graced the Billboard Hot 100's Top 50 despite their very public bad behavior. Ultimately laying a welcome mat for a tumultuous 2018 (see: 6ix9ine versus Chief Keef, Rich The Kid versus Lil Uzi Vert.)

But perhaps the biggest feud to come of all this is the question of music versus morality, seen most recently after the tragic shooting of XXXTentacion. As fans, fellow rappers, and social media reacted to the news, this was the question that plagued conversation and sparked major uproar from social media users to various radio and podcast platforms and personalities. Joe Budden took to his very well-known podcast, The Joe Budden Podcast and explained his disappointment with Hot 97's Peter Rosenberg who announced XXXtentacion's death on talk radio and proceeded to introduce him as a figure that was "no angel." He also cited figures like Complex's DJ Akademiks for instigating the poor behavior of rappers and commodifying it on social media, to which Akademiks shortly after responded.

VIDEO: RIP XXXTentacion | The Joe Budden Podcast 

 

The reactions are split. Yes, in the event of death it truly is insensitive to chalk up a person's life to their actions, especially when it was cut short by violent tragedy. But, it sparks a question that is worth to be pondered. In life, can we separate the personal actions of artists from their musical accolades and musicianship? And if we choose not to, are we doing an uncivil disservice to humanity?

 

VIDEO: RIP XXXTentacion: How Will He Be Remembered?

 

To properly ponder this question we have to acknowledge many facets, one being the open door policy that the genre of Hip-Hop has always employed, and why it has come to be. Why I call it an open door policy is because it has always been welcoming of all, regardless of an individual's background, moral compass or lack thereof (R. Kelly was and is still repeatedly accused of sexual misconduct, Bobby Shmurda rose to fame and a number 1 single with a murder confession - don't tell me it's not, let's just call a spade a spade.).

So, why is the Hip-Hop genre so accepting of violence? It didn’t start out this way. However, in simplistic terms, it is because as hip-hop evolved, many of its constituents came from and still come from a place of systematic disadvantage. The art form of Hip-Hop and the culture grew as an outlet for residents of the inner city. Those whose neighborhoods were plagued with poverty, infested with drug trafficking, and a hyperactive gang and police presence. The cycle of mistrust and injustice birthed street entrepreneurs, those who hustled to make a better living despite their disadvantaged circumstances and carried that same mentality into the world and profession of Hip-Hop (Jay Z, Notorious B.I.G., etc.)

And that's not to mitigate the action of violence, repeated domestic violence, and the selling of drugs, it's to speak to the fact that the genre of Hip-Hop is comprised of individuals shaped by the absences, and disadvantages of their environments.

Gangsta rap made folk heroes out of men and women who risked their safety to bend the rules and prosper as outlaws.

The greats presented crime as a political act, a means of leveling a playing field that always operated on a severe tilt.

They gave voice to the struggles of the disadvantaged and illuminated a way out for the daring.

- Craig Jenkins

Because of such, the home of Hip-Hop is a zone of limited chastisement to be enjoyed "free of moralizing." We dismiss those with open murder, sexual misconduct, battery cases and more, with simple statements like "you've got to separate the art from the artist." We become selective in memory, prioritizing their accolades over their conscious pitfalls, abandoning the duty of accountability.

But at what cost, and at what detriment? Are there really any at all?

- Jadriena "Jade" Solomon

@24Jaded

Jurassic World: Fallen Kingdom- It stumbles but eventually gets up!

The Jurassic World Theme Park has been closed for four years to the public but the dinosaurs thrive on Isla Nublar without paying onlookers. Owen (Chris Pratt) and Claire (Bryce Dallas Howard) return to the island when a volcano threatens to end all life there. Owen is especially concerned about Blue, the raptor he bonded within the last Jurassic edition.

While saving the prehistoric creatures from a threat from nature, Owen and Claire learn of manmade threats to destroy the animals completely and another which would exploit them for financial gain.

Jurassic World: Fallen Kingdom struggles to develop underlying plotlines when the entire purpose of these films is to showcase the dinosaurs. The stories are weak, predictable and plagued by a number of “coming out of nowhere rescues” by both humans and creatures.

Returning stars, Chris Pratt and Bryce Dallas Howard, add stability and familiarity to the film. But among the human cast, the real star is young Isabella Sermon, who plays Maisie Lockwood, whose grandfather, Benjamin helped create the dinosaur-cloning technology. Isabella is amazing!
For cast diversity, Jurassic World: Fallen Kingdom gets a B+. One of the featured stars, in addition to Pratt and Howard, is a young black actor, Justice Smith playing Franklin, a nerdy, easily frightened, computer tech. There are also other people of color in supporting and minor roles.

Ultimately, the Jurassic Park Series is about the special effects and the Jurassic World: Fallen Kingdom doesn’t disappoint. And that’s enough to garner a “See It!” rating.

The film is PG-13 for intense sequences of science-fiction violence and peril and is 129 minutes in length.

Jurassic World: Fallen Kingdom also hints at the next film in the series.

Why I had to swallow my pride (and discomfort) and listen to Kanye West's "ye"

I'll be real honest. I didn't want to give Kanye West my .089 cents for streaming his new album, Ye, via Tidal. Nope. Not the same man who said slavery was a choice. Not the same man who practically made a martyr of himself through songs that detailed the African American experience, like "Jesus Walks", or whose word vomit included simple yet contentious statements like "George Bush doesn't care about black people," not the same man who then turned around and endorsed the warped Trump-developed slogan "make America great again."

But because I am a student of the culture, and because West has been the public figure to fearlessly declare statements that many have dared not, I had to delve deeper and well... decide. And when I say decide, I mean decide on a lot of things...

Nine years after the passing of his beloved mother, Donda West, and a month after his wife Kim Kardashian was robbed at gunpoint in Paris, Kanye West was admitted into the Ronald Reagan UCLA Medical Center for stress and exhaustion. Today, West refers to that period of his life as the "breakthrough" rather than the "breakdown." This is not surprising. The man we've come to know as Ye' has always exhibited the personality traits that he endears the most: pride, confidence, and egocentrism. Seldom have we seen an insecure or vulnerable Kanye West. And frankly, that is why many have come to love him.

KANYE WEST VIDEO: The Codes Of Self Esteem 2016 - The Life of Pablo


For someone like myself, who's known Kanye West more largely through his televised rants and candid moments rather than musical accolades (i.e.: The College Dropout, Graduation, My Beautiful Dark Twisted Fantasy, etc.), it’s safe to say that Kanye West lives for and basks in his ability to create shock value, his access to publicity, and most of all the security of his ego. Therefore, I don't believe that anyone can really say they're surprised when Ye' vents his mind.

VIDEO: Kanye West's Craziest Moments


However, being surprised and deeply hurt or dispositioned by Ye's comments are two completely different calibers of reactions. With statements like slavery "sounds like a choice," consecutively implying that blacks have presently perpetuated their own oppression, and publicly proclaiming his admiration for President Donald Trump because he managed to accomplish what many said he couldn't, Kanye has successfully infiltrated and divided his own fan-base, leaving the giant question of: are we canceling Ye' or nay?

Through press runs to promote his album, Kanye has done two major sit down interviews, one where he flew out The Breakfast Club's own Charlemagne tha God during the creation of his album Ye, and another with Los Angeles' own Big Boy at his album listening and release party. Initially, I was not highly intrigued to listen to either interview. And the album? Well, that wasn't even a thought. Why should I give my streaming money/viewership to someone who said slavery was a choice? However, as much as I was infuriated and displaced by his statements, actively perpetuating ignorance wasn't the solution to take either.

Of those who actively became turned off by his statements, were fans who had fallen in love with the ideology West had entered the game with and created a following from; pro-black rhetoric that marked albums like The College Dropout and Graduation. His recent abandonment of such led many to ask, was Kanye ever really black-enlightened? Were these ever really his true feelings? Or were they the rhetoric of writers, and/or the marketing plans of the team behind him?

VIDEO: Is Kanye West's ‘ye’ Good or Bad? | For The Record


In his sit down with @CThaGod, Kanye acknowledges that he did begin his career with an authentic voice, one that veered off due to the pressures of the industry; acknowledging that what inspired “Ye” was his heavy desire to go against mass opinion and proclaim his rediscovery.

VIDEO: Kanye West / Charlamagne Tha God Interview

Ironically enough, after the interview with Charlemagne was taped, Kanye made the decision to go back into the studio... and totally scrapped the entire album to start again from scratch. Leaving many to wonder, was Ye beginning to understand the extent of the feelings he had hurt with his rhetoric? Or was this simply a cleanup plan for the mess that he had created?

However, there are many on the other side of the fence that would agree with Ye. They agree he should have the freedom to speak his mind, believe what he wishes to believe, and not be held to the unholy standard of a role model (This is ironic from someone who calls himself Yeezus, but okay, let's go with it.).

What Ye values more than what he is saying, is his freedom to be able to say it. However, many miss this facet because the shock value of what he is saying becomes more compelling and distracting than his love for just wanting to speak his mind (and have us all listen of course). West prides himself on his ability to remain vocally honest while holding a position of privilege as a celebrity, and having publicly divulged his diagnosis with bipolar disorder. He simply basks in his ability to operate within that realm.

Though we'll never really know West's true feelings on Trump and the actions of his presidency thus far, when asked about the President and his campaign, Kanye stated, "when he was running, I felt something... the fact that he won, it proved something... it showed me that anything was possible." One thing that we do know for sure is Kanye's admiration for Donald trump stems from the fact that he sees something in him that resonates, connects with, and mirrors himself.

However, although we've reached this conclusion, there are still many questions that remain unanswered: will we ever really know for sure if Kanye was once genuine to the African American plight? Can we actively judge a man who's openly declared his battle with mental illness? Are we canceling Kanye? And if not, does this come down to a larger discussion of the African American community's inability to reprimand one of their own ala Bill Cosby and R. Kelly, a very large question at this time?

At the end of Charlemagne's interview with West, he asked, "What would College Dropout Kanye--if he was looking at pictures of Kanye now, what would he say?" To which Ye replied, "I think he'd be happy, satisfied, and he would believe it... This is a version of a College Dropout Ye'."

- Jadriena "Jade" Solomon

@24Jaded

Don’t miss, Deadpool 2 [MOVIE REVIEW]

In Deadpool 2, the 11th installment of the X-Men series, thing are going well for Wade Wilson (Ryan Reynolds) until he loses a loved one. When he attempts to join her on the other side, he learns that he has to do more good in this world before he can move to the next. His first step is to assist a young, troubled mutant. However, Cable (Josh Brolin) gets in the way of that effort leading Wilson to put together a new team of X-men to fight his old nemesis.

Critiquing Deadpool 2 is easy. If you like the mutants’ series, this episode will not disappoint. And Deadpool 2 gets a See It! rating. It has all the battles, humorous dialogue and over the top action scenes which made the first Deadpool film a success. Ryan Reynolds breathes an everyman type of charm into the lead character. He’s funny and flawed which makes him more credible.

One downside of the mutant series is the lack of racial diversity. The main characters are overwhelmingly white males. However, the creators do embrace black women characters. There’s Storm who was played by Halle Berry in four of the X-Men films. In Deadpool 2, Leslie Uggams returns as Blind Al, Wilson’s confidant. And joining his new team in this film is the half German and half African-American, Zazie Beetz. Her mutant skills are exceptional marksmanship and hand-to-hand skills, and probability-altering powers.

However, due to the overall lack of cast diversity, Deadpool 2, receives a “C” for cast diversity.

It’s rated “R” (for strong violence and language throughout, sexual references and brief drug material) and is 111 minutes in length.

Ultimately, Deadpool 2 is a See It!

Don’t Join The Book Club [MOVIE REVIEW]

They’ve been friends since college, and get together once a month to discuss the book of the month. Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) runs a five-star hotel and only gets involved with men she could never fall in love with. Sharon (Candice Bergen) is still recovering from her divorce of almost two decades. Carol's (Mary Steenburgen) marriage slumps after 35 years. The book of the month, the salacious 50 Shades of Grey has the friends reexamining their own situations.

The Book Club is simply not worth the time. It’s Dead on Arrival. First, the characters are not interesting. Even for a comedy, they simply lack the depth to make this film worthwhile. It’s not the performers; it’s the weak script. Further, while the four women are all supposed to be the approximately same age, having attended college at the same time, it’s obvious that Mary Steenburgen is younger than her costars and is in fact 15 years younger than Jane Fonda.

There’s also not a credible subplot. Diane’s love interest Mitchell (Andy Garcia) is obviously younger than her (10 years in real life). He’s a pilot whose invention reducing wind drag on airplanes has made him wealthy but for some unexplained reason, he still works as a commercial pilot. Thus, this rich guy who’s in a profession where he meets plenty of women decides to pursue a much older, very ordinary widow. Is this possible? Of course. Is this likely? Of course NOT!

Speaking of Garcia, he is the only one keeping this film from getting a D- minus in cast diversity. This Hispanic (Cuban) actor has a starring role in what would otherwise be one of the least diverse films I have seen in years.

The Book Club is rated PG-13 (for sex-related material throughout and for language) and is 104 minutes.

Ultimately, it is sad that such talented actors are bound together in this losing production. It’s Dead on Arrival.

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