There’s a saying: Adulthood is that time in life when you get over your childhood. And that is certainly the case for Adelaide Wilson (Lupita Nyong'o) who suffered a traumatic beachfront experience as a child. Now having married and moved away from that location, she and her family, husband Gabe (Winston Duke) and their two children Zora (Shahadi Wright Joseph) and Jason (Evan Alex) return to the site to vacation with their friends, the Tylers. The families rent houses down the street from each other. Adelaide immediately feels creeped-out upon arriving at the house. She tries to suppress the feelings as her husband launches into a fun-loving, we’re-on-vacation mode. That night Adelaide realizes that her queasiness is justified when four strangers appear in their driveway and the group, which looks exactly like her own family, is not there for fun and games. Us, from writer and director Jordan Peele who scored a huge hit with his 2017 film, Get Out, turns out an utter disappointment this time in Us. I fully expected another different twist to the horror film format. Unique in the way Get Out cleverly intertwined race and terror, in a way not seen before. In Us, the only difference is that it has a black cast. Us has all the features of the genre that makes these films seem so insipid. The villains are human yet are always a lot stronger than ordinary people. The characters must behave in the most implausible way. For example, the Wilsons arguing over who should drive when they need to make a lifesaving escape. Then there’s Adelaide’s getting out of the safety of the vehicle to confront weapon-carrying killers. My favorite horror film lunacy is how moments after the most terrifying and bloody encounters, the survivors engage in light banter. As if nothing just happened. In Us, after a nearly fatal ordeal, the Wilsons calmly chat, and the son even munches on Skittles. The dialogue falls into “the who says that?” category. While driving along and listening to music, Adelaide turns to her son, in the back seat, snaps her fingers and tells him to “get in the rhythm”. Is that what a black mother would say to her child? And in describing their attackers’ strategy, the husband, Gabe opines that would take a shit load of coordination! Peele’s own father was absent from much of his life. Interestingly, the black father character in Get Out had an absentee father. In Us, Peele creates Gabe, a bumbling and childlike parent. It’s almost as if Adelaide has three kids rather than two. Speaking of Adelaide, Lupita Nyong’o is exceptional. She holds this film together. It’s unfortunate that she wasted her vast talents on this production. As to cast diversity, we give Us a B+. It has a relatively small group of characters. There are the Wilsons and the Tylers, who are white. There aren’t a lot of opportunities for other performers. Asians and Hispanics are pretty much absent from this production. Us gets a split rating; if you like horror films, See It! If not, wait and Rent It. Us is rated “R” for violence/terror, and language, and is 116 minutes in length. At a budget of $20M, which is small by movie-making standards, there is no question that Us is bound to be a financial success.