Passengers is a moderately entertaining adventure starring Chris Pratt, Jennifer Lawrence, Michael Sheen, and Laurence Fishburne

Talk about a long nap, the 5000 passengers and crew on the Starship Avalon are on a 120-year voyage from earth to their new outer-space home. They are put into a state of hibernation for the super long journey. However, due to a malfunction, Jim Preston, (Chris Pratt) an engineer, wakes up after only 30 years. He panics when he realizes that he’s likely to die before the vessel reaches its destination in 90 years. He finds his way around the spacecraft, locating the food and exercise facilities. His only companion is Arthur (Michael Sheen), the robot bartender. After a year, loneliness overwhelms him. He walks among the other passengers deeply sleeping in their pods. After a lengthy emotional and moral internal debate, he decides to awaken another passenger, journalist Aurora Dunn (Jennifer Lawrence). Once awake, she panics just as Jim had done. Also, as he had done, she tries to figure out a way to get back to sleep. But again like him, she eventually accepts her fate. And as would be expected, they fall in love and all is well until Aurora learns that unlike with Jim, her waking up was no accident. It was an intentional act on his part.

Jim (Chris Pratt) and Aurora (Jennifer Lawrence) talking with Arthur, a robotic bartender, on the Starship Avalon. Photo courtesy of Columbia Pictures 

Passengers is a moderately entertaining adventure and viewers can’t be sure where it’s headed. However, it never reaches its entertainment destination. The writers start with an interesting premise: a young man and woman wake up 90 years too soon on an intergalactic voyage. After that, they just don’t seem to know where to go from there. Another one of the crew members, Chief Gus Mancuso (Laurence Fishburne), wakes up and has a short, strange interaction with Jim and Aurora. The film deteriorates to the point where viewers laugh at scenes and dialogue not intended to be funny.

No complaints about Chris Pratt and Jennifer Lawrence. They serve their purposes: eye candy for viewers and are credible in their roles. The special effects are weak compared to the technological marvels Hollywood is capable of these days.

It’s difficult to give this film a Cast Diversity rating, with such a small cast. It would have received a D- accept for the short appearance by Laurence Fishburne with lifts it up to a C+. As Jim walks past the passengers in pods, very few of the inhabitants are people of color; this was an opportunity to add some color to the cast.

Leave these Passengers alone. Just at Jim and Aurora feared about their own plight; Passengers is Dead on Arrival! It’s 116 minutes and rated PG-13 for sexuality, nudity, and action/peril.

The movie Fences is built upon the strong foundation provided by a superlative cast of Denzel Washington, Viola Davis, Jovan Adepo, and Mykelti Williamson

In playwright August Wilson’s Broadway play turned film, Fences, it is Pittsburgh, Pa in the 1950s. Troy (Denzel Washington) is a middle-aged, former Negro League baseball player who now drives a garbage truck. He bears the scars of his career disappointments and the damage from being a black man in America during that time. His wife, Rose, (Viola Davis) conjures up an image of the line from the Spinners song Sadie “Sweeter than cotton candy, stronger than papa’s brandy.” She keeps the house as well as the peace between her and Troy’s son, Cory (Jovan Adepo) who wants to play football. Troy opposes athletics for his son. Cory thinks his dad is afraid he’ll prove to be the better athlete. The truth is Troy believes his son will be denied a fair chance to compete and end up disappointed. Troy also deals with his WWII injured brother, Gabriel’s (Mykelti Williamson) permanent mental and physical limitations as well as guilt over how he handled his brother’s settlement payment from the federal government.

There’s a lot going on in Fences. The movie, Fences, is built upon the strong foundation provided by a superlative cast. Denzel Washington and Viola Davis, to use a baseball analogy, knock the ball out of the park. Together they provide the forceful screen presence that this drama had to have. Denzel Washington also directed the film. Jovan Adepo is angry, intense, and confrontational which makes his character, Cory, absolutely credible. But the true unsung hero of Fences is Mykelti Williamson. As compelling as the other performances are, Williamson more than met the challenge of playing a severely handicapped individual.

This film also captures the essence of working class family disputes where mothers embrace their children’s career dreams, while fathers in their own loving way, want kids to be practical. While dreams are nice, dads think their kids should devote their energies to activities which will help them earn a living.

For these reasons, Fences is a See It!

On the other hand, the dialogue is very wordy, long sentences and soliloquies by the characters. Effective scriptwriting allows the viewers to understand past events from bits and pieces of discourse throughout the film. However, in a lengthy kitchen discussion, Troy and Rose lay out all the details surrounding Gabriel’s war injury. Then they go through the intervening developments before bringing the situation up to date. Viewers are now fully informed. However, in a real-world exchange, there would be no need to rehash facts well-known to both but instead they would address only the most recent issues and maybe cite the past to support a current point of view.

Additionally, as I began to digest this film, I wondered why August Wilson felt it necessary to write a story which encapsulates the worst stereotypes, criminal and immoral behavior for his characters. While I won’t discuss them all, two are worth mentioning.

At one point, when talking to a friend, Troy relates how as a young teen, his father catches him being intimate with a 13-year-old girl. His father begins beating him. Not for what he is doing but so that his father could have a turn with the girl! Is this really how a father would respond? Maybe in a small percentage of cases, but this is not the norm.

Rose shares with Troy how she grew up with siblings in which all are halves, no two with the same mother and father. That might be a tale a character could tell today but based upon the time period of this story, Rose would have been born in the early 1900s. Black families were much more intact then than today. Census figures from that time show that the vast majority of black babies born in the early 1900s were born to mothers and fathers who were married!

Then there’s the N word. It’s actually the first word Troy utters and there’s no shortage of the slur throughout the rest of movie.

August Wilson, an interracial African-American, his father was German, seemed to be willing to stretch credibility to taint these characters. Maybe he thought it made them more interesting. While I recommend Fences, we need more true stories like Hidden Figures and less made up ones like Fences.

Fences is 140 minutes and rated PG-13 for its thematic elements, language, and some suggestive references.

Count on seeing Hidden Figures and definitely take your daughters to see these black women excelling in math, engineering, and computer operations

It’s the early sixties. Three black women traveling in a blue and white 1957 Chevrolet head to work. Few people would guess that Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) work at the National Aeronautics Space Administration (NASA). One is a mathematician, one an engineer and the other a computer expert. Hidden Figures tells the fascinating story of these three amazing women and the vital roles they play in getting America’s space program off the ground.

The story behind Hidden Figures is incredible on multiple levels. According to a People magazine article, numbers fascinated Katherine Johnson from her earliest days. She counts everything including the number of steps it takes to walk to school. She enters high school at 10 and then graduates from college at 18. Her highly supportive father moves their family as necessary to ensure that she takes full advantage of the educational opportunities offered to her. Dorothy Vaughan graduates from Wilberforce University in Ohio at an even younger age, 16.

Johnson, Vaughan, and Jackson benefit from a NASA program which hired black women during War World II. The agency is so impressed by the mathematic talents of these women (who were called “computers”), it continues the program after the war ends opening the door for later arrivals.

Hidden Figures doesn’t just tell the stories of these three geniuses but provides a portrait of the racial dynamics of that time period. Including the segregated facilities and the closed minds attempting to undermine these women’s efforts and talents. Jim Parsons (of the Big Bang Theory) plays Paul Stafford who works along with Johnson at the Langley Research Center and who undercuts her by not supplying the necessary information to complete her projects. And he deeply resents her checking and sometimes finding errors in his calculations - which is her job.

Kevin Costner plays Johnson’s and Stafford’s boss and often has to referee their disputes and more times than not, sides with Johnson. He is a firm but fair supervisor who is forced to examine the prevailing segregationist policies and their effect on people like Johnson and her ability to do her job. And how she walks a half mile across the NASA campus to go to the segregated, colored women’s bathroom. Or how someone in his own department brings in a separate coffee pot for her rather than have her continue to use the one the rest of the group uses.

Recently deceased astronaut John Glenn reflects an uncommon acceptance and support of the women. When the NASA employees stand outside in a greeting line to meet the astronauts, the white employees are first. After shaking hands with them, a handler directs the astronauts back inside before reaching the black women. Glenn ignores the directive and walks over to speak and shake hands with the ladies. And before his first voyage, he makes clear that he won’t take off until Johnson reviews the computations of the NASA’s new IBM computer.

Overall the film is well done. One interesting scene is when Johnson who is a widow, rips into a man she meets at church (who later becomes her husband) because he’s surprised to find out that she’s a senior mathematician for NASA. The whole world would be surprised at her occupation! Why shouldn’t he? He later apologizes for his close-mindedness.

As to cast diversity Hidden Figures, gets an “A”. It represents the situation as it existed racially at that time.

See Hidden Figures because it has that rare combination of being both educational and entertaining. Also see it because if it’s a box office hit, Hollywood will make more films like it. And we need more films like it. Definitely take your daughters to see these women excelling in math, science, engineering, and computer operations (technology). One final point, in addition to being a member of the composing team to score the music for Hidden Figures, music producer, Pharrell Williams, is also one of the producers of the movie.

Hidden Figures is just over 2 hours at 126 minutes. Rated PG for thematic elements and some language. It gets our highest rating: See It!

The Fleming family, dad, Ned (Bryan Cranston), mom Barb (Megan Mullally), and son Scotty (Griffin Gluck) head to California to spend the holidays with Ned’s and Barb’s older daughter, Stephanie (Zoey Deutch) who attends Stanford. Things unravel quickly. First, rather than staying in the luxury hotel suite that Ned proudly obtained at a discount rate, Stephanie announces that the family will stay with her boyfriend. A boyfriend the family didn’t know she had. When they arrive at his house, it’s some house: a multimillion dollar 21st Century state-of-the-art estate. And her boyfriend, Laird Mayhew (James Franco) turns out to be a wealthy Silicon Valley executive who greets them shirtless displaying a multitude of tattoos, having heard so much more about them from Stephanie. The Flemings reluctantly agree to stay with Laird. Ned is quickly turned off by Laird’s crass behavior: dropping F-bombs with almost every other word, talking openly about private moments with Stephanie and overall just trying too hard to become a member of the family. Why Him? follows the Flemings through the holidays as they get to know this person who might become a member of their family.

Why Him? works on so many levels and gets an overwhelming See It! rating. Conflicts and issues are the keys to any great story. The film has a literal smorgasbord of issues large and small: boyfriend - girlfriend; father – daughter; wife – husband; old school – new school views on relationships; and new technology versus the old way of doing things.

Successful filmmaking thrives on a very basic formula: an interesting story with characters that viewers connect with brought to life by good actors. Why Him? has it all. This movie takes an age old plot – father objects to his daughter’s suitor – but gives it a different twist. Usually, the boyfriend isn’t successful. But here Laird is highly successful, rich, and internationally known. But Ned believes that Laird’s just too crass. However, maybe this film is a bit naïve as to the impact millions of dollars would have on softening Ned’s middle-class attitudes toward his possible son-in-law. After all, Laird does love Stephanie and is fundamentally a nice guy. Also, Ned’s small business is floundering.

One of the weaker aspects of this otherwise solid production starts with Laird’s claim that he’s setting up a foundation which will be run by Stephanie, which raises suspicions with Ned. So he enlists his small business’ tech guy to hack into Laird’s computer to see if Laird really has the resources to fund a foundation. And this effort fails miserably since the very savvy Laird has installed the most sophisticated anti-hacking software. This is an unrealistic and unlikely gesture. Laird’s financials would be public knowledge. Simply googling Laird would yield articles and other information on his wealth.

Why Him? gets an “A” cast diversity. Actor/comedian Keegan-Michael Key plays Laird’s estate manager and life coach. Comedian Cedric the Entertainer is the second in command in Ned’s printing company. And there are other individuals of color in supporting roles.

Why Him? is 111 minutes and rated R for strong language and sexual material throughout. This movie gets a strong See It! rating for its great storylines and solid performances.